The Vault
Here is the vault. I decided to have a place where I may introduce my best music to the world. Past and present. Ultimately, I consider myself first and foremost a composer. At everything else you see on this website, I am mediocre at best. Just a pretender. So the vault is meant to showcase my music, the original recordings with all their flaws...pure and sincere. With each composition I will give a brief introduction and analysis, explaining why I feel it has any particular import. No guessing here. I am revealing what I consider to be the best that I have...I only hope you can find some pleasure in listening. 
SO MANY PEOPLE
OCEAN'S BLUE DON'T YOU KNOW I LOVE YOU
Written and recorded in 1992. Released on the album "Big Modern Days". With an early Neil Diamond approach, I wrote about the malaise of being an average person in an average world. Just feeling sad and detached about myself and the people around me at the time. Very observational.
The third track on an album of instrumentals called "A Place In The Sun", this sublime piece has a little New Age, a little jazz and a lot of of sensuality. I pretty much "built" this tune from a feeling I had, starting with the keyboards and fleshing it out from there. I was trying to create an exotic picture of a far-away dream-place. 
"Don't You Know I Love You" is a meduim-tempo soft rock love song that was sincerely written to my first wife at a critical time in our marriage. I felt my real feelings just weren't being heard or understood. What I particularly like about this piece is the chorus...a quaint, engaging melody that accurately conveys the lyric without too much emotion. From the album "Bad Attitude".
BEING IS BELIEVING
OWN UP
ETERNITY
This title track to a 1998 release is inspired by GENESIS circa 1979-80. The intensely personal lyric reveals my more philosophical and brooding side.
Great dance/pop tune from 1999. One of my favorites. From "TWO SIDES TO A STORY".
Early ballad that shows a young composer learning his craft. Nice R&B song with a good verse melody. From "AN ITCH IN MY WINDPIPE"--1990.
DON'T DENY MY HEART
CLOSE OUR EYES BE DONE
Here, the Bowie in me comes out pretty strongly. One night of unsuccessful woman-hunting led to this song of yearning and exotica. From "BEING IS BELIEVING".
From the 1999 "TWO SIDES TO A STORY". This Paula Cole inspired piece is reminiscent of some of my earlier, more Industrial type music. Very intense.